Statues of David in Renaissance Art Essay

The story of David was a source of inspiration during the Renaissance. The Biblical story of David versus Goliath showed the strength of man defeating a giant, proving that power can come in many ways other than force. David was a frail boy, youngest son of Jesse, who tended the flock until God sent Samuel (a Judge) to anoint David to be the next king. As time progressed, David played the harp for the current King Saul of Israel, who was in a war with the Philistines. Then one day, Goliath and the Philistines had challenged Saul’s army but no one could stand in his mighty presence without falling down. Then David, representing Saul’s army came forward with a stone and sling with no armor even though Saul, the Israelite leader offered him weapons and armor, took down Goliath in one hit. This representing that David being worthless and nothing became an inspiration not only to Saul but for everyone that heard the story of a giant being slayed. This narrative was expressed in the statues of David from Michelangelo (c. 1475-1504), Bernini (c. 1598-1680) and Donatello (c. 1386-1466). The style in which David is represented differs with each artist from the Renaissance, but regardless of the differences, the work done on David has the same outlook on the biblical story of David. The comparison of the statue based on the body/ muscle structure, size, medium and the reference according to how each artist depicts David as they use their roots to create him.But before we can look upon the statues, we have been acquainted to what sculptures are. According to Spore, sculptures are three-dimensional arts that have many forms from nonrepresentational to lifelike. The sculptures of David are full-round or freestanding three-…

…sdsd of Medicine (Great Britain).Journal of the Royal Society of Medicine 98.2 (2005): 75,75-6. Sdsdsdd ProQuest Central. Web. 12 Oct. 2011.Sporre, Dennis J. Reality Through The Arts. 7th ed. Upper Saddle River, NJ: Prentice Hall, 2010. Print”Donatello (c. 1386 – 1466).” A Biographical Dictionary of Artists, Andromeda. London: Andromeda, 1995. Credo Reference. Web. 02 December 2011.

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“Michelangelo Buonarroti (1475 – 1564).” The Thames & Hudson Dictionary of Art and Artists. London: Thames & Hudson, 1994. Credo Reference. Web. 03 December 2011.McHam, Sarah Blake. “Donatello’s Bronze David And Judith As Metaphors Of Medici Rule In Florence.” Art Bulletin 83.1 (2001): 32. Academic Search Complete. Web. 3 Dec. 2011.

“sculpture.” The Columbia Encyclopedia. New York: Columbia University Press, 2008. Credo Reference. Web. 04 December 2011.

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