Mannerism in Florence and Rome Essay

Mannerism in Florence and Rome- considered to be more self- consciously “artificial”- derived from aspects of Raphael and Michelangelo- cold formalism was considered to be inner visionRosso- (1494-1540), Italian painter, whose early works helped define Italian mannerism- later was a founder of French mannerism- was born Giovanni Battista di Jacopo di Guasparre in Florence- early work had odd perspectives, violent colors, and harsh lighting- 1523 Rosso moved to Rome, where he was influenced by Italian artist Michelangelo and Italian mannerist painter Parmigianino- work then acquired new beauty and expressed more tempered emotionsPontormo- (1494-1557), Italian painter, whose style is marked by elongated forms, heightened emotion, and tension between figures and space- Born in Pontormo, he worked chiefly in Florence- initially assisted Florentine painter Andrea del Sarto and later did much work for the ruling Medici family.Parmigianino- (1503-1540), Italian painter and etcher, whose work is among the most graceful and elegant of the school of mannerism- born Girolamo Francesco Maria Mazzola, or Mazzuoli, in Parma- influenced by Italian painter Correggio and Roman painter RaphaelSelf Portrait- looked through a mirror as done before in previous times- used leonardo’s type of sfumato- hand is much bigger than reality of itBronzino- (1503-1572), Italian painter, the outstanding artist of the Tuscan High Mannerist style- produced portraits and religious pictures- style is cold, refined, aristocratic, and technically brilliant in its rendering of surface details and colors- display the typical mannerist characteristics of elongated forms and crowded, angular compositions…

…eam in which the psyche retreats into womb like sanctuary- principle difference lies in approach- uses symbol in natureLeonardRomanticism is Ultimately Fatal- suggest meaning that is personal- turtures erotisicm- no romantic knight in shining armorArtists as PhotographsHockneyGregory Watching the Snow Fall, Kyoto, Feb. 21- discrete eye movement containing a piece of visual data- gaps in the matrix of the image- fragmentary to its edge through the loss of acuity- resulting shape of collage is masterpiece of design- establish our position clearly- viewers view of psychological relationship surrounding the worldLemieuxTruth- image about sound or the lack of it- visual counterpart to saying ” Hear no evil, speak no evil, see no evil”- used a process known as deconstruction- truth emerges a matter of relative perspective

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